Born in Los Angeles, 1976                                    
BFA from Otis College of Art and Design, Los Angeles
Lives and works in Los Angeles, Guadalajara and Berlin.


« Moctezuma?s revenge »  ASU Art Museum , Tempe, AZ (USA)

Proyectos Monclova, Mexico City
I-20 Gallery, New York

La Gloria del Exceso, Galeria Leyendecker, Santa Cruz de Tenerife, Spain
Eduardo Sarabia, « Fragments of a Past Civilization » Proyectos Monclova, Mexico City.
Opening May 15th, 12:00pm May 16- June 26
Mexican Jungle with Aichi Tresures, Public Sculpture, Nagoya, Japan
« 18 with a bullet », Other Criteria, Londres (25/06-23/07/10)

2009        ?« There Will Be Better Days », Galerie Anne de Villepoix, Paris, France
Salon Aleman, Proyectos Monclova, Mexico City, Mexico

Eduardo Sarabia, LA Louver, Los Angeles (17/07-23/08/08)
Museo Raúl Anguiano, Guadalajara, Mexico
Election Night Trivia at Salon Aleman, New Museum (04/11/08)

Art Nova, Art Basel Miami Beach, Miami, Florida (I-20). (With Marina Kappos and Gonzalo
Eduardo Sarabia, I-20 Gallery, New York

Art Nova, Art Basel Miami Beach, Miami, Florida (I-20). (With Stefan Bruggemann and JoaoOnofre)
4-F, Los Angeles, California

Eduardo Sarabia, 404 Arte Contemporanea, Naples, Italy

Eduardo Sarabia/Eric Wesley, Sutton Lane, London, UK
Eduardo Sarabia, I-20 Gallery, New York

Project Room: Eduardo Sarabia. (Curated by Ciara Ennis). Santa Monica Museum of Art, Santa
Monica, CA.

Eduardo Sarabia, I-20 Gallery, New York



Art Basel Miami Beach, ART Public
Fuerzas básicas, formas del dibujo reciente en Jalisco, Museo de la Ciudad de Mexico, Guadalajara,Mexico.?MAKE Skateboards, organized by Jonathan Lavoie and Scott Ogden, I-20 Gallery, New York?Everything Must Go, a project with Ceramica Suro, Guadalajara, Mexico, organized by José Noé Suro and Eduardo Sarabia, Casey Kaplan Gallery, New York
No More Reality, organized by Textfield, Inc., Creatures of Comfort, New York?Charlie James Gallery + Marie Art Salon, Los Angeles
« Greater Los Angeles », curated by Benjamin Godsill, Soho, New York

A.D.D. Attention Deficit Disorder, Centro d?Arte contemporanea Palazzo Lucarini
Contemporary, Trevi (Perugia ) Italie. 17 juillet / 19 septembre 2010

Expanded Field of Possibilities, Santa Barbara Contemporary Arts Forum, Santa Barbara,
Phantom Sightings, Museo de Arte de Zapopan, Mexico, California

Oriente Dessin, Galerie Anne de Villepoix, Paris, France
Whitney Biennial, Whitney Museum of American Art, New York
Phantom Sightings: Art after the Chicano Movement, Los Angeles County Museum of Art, California (traveling to Tamayo Museum of Contemporary Art, Mexico City, Mexico, Fall 2008; Museo de Arte Contemporáneo, MARCO, Mexico, Spring 2009; Contemporary Arts Museum Houston, Texas, Summer/Fall 2009; Cultural Universitario, Guadalajara, Mexico, Fall 2009/Winter 2010; El Museo del Barrio and The Americas Society, New York, New York, Spring 2010.)
unitednationsplaza mexico DF, Casa Refugio, Mexico City

PAWNSHOP, e-flux, New York
Big Family Business, in conjunction with the 10th Istanbul Biennial, Ataken Factory, IMC trade center, Istanbul
An Atlas of Events (curated by Debra Singer), Fundação Calouste Gulbenkian, Lisbon, Portugal
Trinchera, (curated by Emanuel Tovar), Museo Raúl Anguiano, Guadalajara, Mexico
Rogue Wave ?07, LA Louver, Los Angeles, California
We are your future. Art of Russia, Latin America and China (curated by Juan Puntes, Marat Guelman, and Ethan Cohen, 2nd Moscow Biennale, Russia

Mobile: Suro Collection, TPS [Triangle Project Space], San Antonio, Texas
Masters & Johnson, (curated by Maria Jose Lopez), Charro Negro, Zapopan, Mexico
Great American Nude, (organized by Matt Wardell and Harvey Levine) Harvey Levine Gallery, Culver City, California
Some Postcards from Mexico, (curated by Carlos Ashida) Museo de Arte Contemporaneo de Santiago, Chili
?un minuto por favor, (curated by Lorena Peña and Rubén Méndez), La Casa Taller Jose Clemente Orozco, Guadalajara, Mexico
Presente/Perfecto/Perfect Present (curated by Juan Puntes) Volitant Gallery, Austin, Texas
Body and Geography, (curated by Jeanette Zwingenberger) Musee des Beaux-Arts, Lille, France

4 Dimensional Shit, Bowie Van Valen, Los Angeles
Poles Apart Poles Together. (Curated by Juan Puntes and Doron Polak), 51st Venice Biennale, Venice, Italy
Air Container Museo Raul Anguiano (Antiguo Museo de Arte Moderno), Guadalajara, Mexico
Having Differences (curated by Kevin Hanley, Steve Hanson, and Paul Judelson), I-20 Gallery, New York
Working on Paper: From Drawings to Ammo, BANK, Los Angeles, California

Democracy was fun (Curated by Juan Puntes and Raul Zamudio) White Box, New York
Incognito (Curated by Elsa Longhauser), Santa Monica Museum of Art
OIL, Triangle Project Space, San Antonio, Texa
Narcochic Narcochoc. Musee International des Arts Modestes, Paris, France
La relatividad del tiempo y los distintos sistemas de referencia (Curated by Patrick Charpenel) Oficina para Proyectos d'Arte (OPA), Guadalajara, Mexico

Art Basel Miami Beach (I-20). Miami, Florida
Tekhne: Ancestral Techniques and Contemporary Practices in the SURO workshop of Tlaquepaque. Curated by Patrick Charpenel. The Buena Vista Bldg, Miami
Design District, Miami, Florida
Prague Biennial 1. Curated by Helena Kontova. Prague, Czech Republic
Harlem Postcards II, (Curated by Christine Y. Kim). The Studio Museum in Harlem, New York.
Works for Giovanni, China Art Objects, Los Angeles
Liz Craft, Pentti Monkonnen, Eduardo Sarabia and Eric Wesley, Oficina para Proyectos d?Arte (OPA), Guadalajara, Mexico. Travels to Programa Art Center, Mexico City
Age of Unreason, MOCADC, Washington DC

Scope Video Lounge (Curated section), The Scope Fair, Dylan Hotel, New York
Roots, PAGEA Arte Contemporanea, Naples, Italy
Art Forum Berlin, Berlin, Germany
Cutting Edge (Curated section), ARCO, Madrid, Spain
The Armory Show, New York

I Love New York, I-20 Gallery, New York
Luminous Wonders of the Electronic World, New Langton Arts, San Francisco, California
Liste, Art 32 Basel, Switzerland (China Art Objects)

I Candy, Rosamund Felsen Gallery, Santa Monica, California (Curated by John Boskovich)




 Johnson, Ken. "They're Chicanos and Artists, But Is Their Art Chicano? Phantom                
Sightings, El Museo del Barrio," New York Times, April 10, 2010: C1, C5
Robinson, Walter. "The Chicano Avant-Garde"., March 25, 2010.
 ?Art of the Chicano Movement Opens at the Museo del Barrio.?  (March 24, 2010)
 Berardini, Andrew. "mas que nada." Scene & Herd (Dec 7, 2009).

Ollman, Leah, ?Sarabia?s Work Subverts Prettily,? Los Angeles Times, August 8th,
Grosz, David, ?Eduardo Sarabia in Los Angeles?,, July 31, 2008.
Purves. Miranda, "Art Bar Star," ELLE (April 2008), pg. 292.
Lacayo, Richard. ?The Simple Life,? TIME Magazine (May 24th, 2008), pg 71 ? 74.
Carly. Berwick, "The Facebook Biennial," New York Magazine (March 10 - 17, 2008), pg. 139.
Del Signore, John. "2008 Whitney Biennial Open for Business, Bitching," The Gothamist (March 6, 2008).
Lacayo, Richard. "A Talk With: The Curators of the Whitney Biennial," Time Magazine Online (March6,2008).
Sheldon, Blythe. "The Whitney Biennial: Behind Eduardo Sarabia's Tequila Bar,"New York Magazine Online (March 5, 2008).
Kunitz, Daniel. "Helping the Museum Expand the 2008 Biennial," The Village Voice (March 4, 2008).
Finch, Charlie. "Biennial For One," (March 4, 2008).
Cotter, Holland. "Art as Economic Indicator," The NY Times (March 2, 2008),
Vogel. Carol, ?A Biennial Bustin' Out of the Whitney,? NY Times (February 29, 2008): Weekend Arts/Fine Arts, E31.
Taylor. Kate. "Contemporary Art and Animal Heads." New York Sun, (February 28, 2008): Arts & Letters, 18.

Genocchio. Benjamin, ?Fresh Eyes on a Colorful Movement,? NY Times
Ollman, Leah, ?Rogue Wave ?07 takes a fresh turn,? Los Angeles Times
?Modern Art with a Tryst,? Gotham (March, 2007) 228.

?Word of Mouth: Art Basel Miami Beach (Your essential guide to the art event of the year)? Condé Nast Traveler (December, 2006) 48.
Sarabia, Eduardo, ?Salon Aleman: Homade Tequila Bar in Berlin?, Textfield V
Heartney, Eleanor, ?Eduardo Sarabia at I-20? Art in America (October, 2006)
Katikaneni, Bhargav. ?Contemporary art gallery ?takes flight? in downtown Austin?, Daily Texan (University of Texas) (April 15, 2006)
?The Next Best: Off to a ?Perfect? start?, Austin American Statesman
Staff. ?Art Happens: The NYC scene?s not dead after all? The online home of DETAILS & GQ (April 28, 2006)
Robinson, Walter. ?Weekend Update? (May 4, 2006)
Zamudio, Raul. ?Art Basel Miami Beach 2005? Art Nexus (March ? May, 2006)
?maco mexico arte contemporaneo? Chilango (April, 2006) maco press brochure
Vega, Rebeca Pérez. ?De ?cementerio de derrotas? a Ferrari: Una alegoria reune a 25 artistas? Público Milenio Cultura (April 7, 2006)
?Un minuto de dialogo y reflexiones? El Informador Diario Independiente
Morgan, Robert Coolidge. ?Eduardo Sarabia? American Ceramics (April, 2006)
Wagner, James. ?Eduardo Sarabia at I-20? (March 30, 2006)
Leroy, Gerard, ?Discussion with Eduardo Sarabia,? Whitewall Premiere issue,
Calera-Grobet, Antonio, ?Eduardo Sarabia? Codigo (February/March, 2006)

Robinson, Walter, ?Miami Heat? (December 5, 2006)
Art Basel Miami Beach 2005, (December 2, 2005)
Lebrija, Gonzalo and Eduardo Sarabia, ?Gone Fishing? Texfield III
Symes, Robin. ?the art house? marie claire (May, 2005) 244-247.
Johnson, Ken. ?Art Guide Listings: Having Differences? The New York Times
?Picture Postcard? (March 29, 2005) (ill.)
Giovinazzo, Di Luigi. ?404 arte contemporanea, Napoli Eduardo Sarabia? EspoArte vol. 33 (February/March 2005)
Altavilla, Marco ?Eduardo Sarabia, 404? Flash Art no. 250

?Europa? Fakt (October 27, 2004)
Dupuy, Gerard. ?La FIAC S?expose et ose? Liberation (October 21, 2004)
Suro, Luis Miguel. ?L.A.P.D File #3615-29025? Colaboraci?n Arte blink
Rangel, Danniel. ?Stairway to heaven,? Casa Vogue (Brasil)
Preciado, Corina ?El Arte les Paga el Boleto para Pescar, Cultura, Mural
Flores, Tatiana. ?The Armory Show? ArtNexus No. 53 Vol. 3 (2004)
Lara, Baudelio. ?La relatividad del tiempo y sus referencias en la OPA? Codigo
Santoscoy, Paola. ?Gone Fishing? Codigo (April/May 2004)
Barnes, Brooks. Your first Picasso,? Wall Street Journal, Weekend Journal
Finch, Charlie. ?Hot Toys for the Wealthy, Good Art for the Wise?

Belasco, Daniel. ?Eduardo Sarabia at I-20? Art in America (December, 2003)
?Prague Bienniale Special,? Flash Art (October, 2003) (illus.)
Gonzalez, Mario. ?De los Angeles, cuatro atistas llegan a la OPA?. P?blico Milenio (July 5, 2003)
Kim, Christine ?Color Blind: For A Generation Of Artists, Race is a Metaphor But Not An Ism,? V Magazine (March-April, 2003)
"Pacific Discovery Group of the Americas" Interview between Eduardo Sarabia and Piero Golia on Nov. 20th 2002. Textfield, Vol. 01, No. 01 (2003)
?Voice Choices: Eduardo Sarabia,? The Village Voice (February 26 ? March 4)

Boone, Lisa. ? My Favorite Weekend: Eduardo Sarabia?. Calendar Weekend, Los AngelesTimes,
(December 12, 2002)
Sauceda, Isis. "Paseo por el arte" La Opinion, La Vibra (Nov. 28. - Dec. 4 2002)
Editorial. ?Of High Riders and Low Art? Calendar Weekend, Los Angeles Times

Goldwyn, Liz. ?L.A. Story: Eduardo Sarabia,? Hanatsubaki (August, 2001) Japan
Smith, Roberta. ?As Chelsea Gallery District Expands, a Host of Visions Rush in,? The New York Times (June 1, 2001)
Finch, Charlie. ?Amenable Angel,?, May 24, 2001
Ferrone, Julie. ?Notizie da New York: Eduardo Sarabia: il figlo del barrio,?
The Shin Bijutsu Shinbun (March 21, 2002)

Campbell, Clayton. ?i- CANDY: LA in Flux?, Flash Art (January- February 1999)

Frank, Peter. ?Art Pick of the Week,? LA Weekly (August 21-27, 1998)


The Gift, 2008 . Texts by Christian Jankowski, Shamim Momin, Anri Sala, etc. Mexico City, A-R Press, Whitney Museum of American Art and Coleccion Jumex. 2008

Eduardo Sarabia Relacion de un Interes 2003. Essay by Ciara Ennis and interview by Christine Kim. New York: I-20 Gallery, 2004


We Are Your Future: Special Project 2nd Moscow Bienniale, Moscow, 2007
Presente Perfecto/Perfect Present, essay by Raúl Zamudio, Volitant Gallery, Texas, 2006
Family Stories: Ten stories written and illustrated by ten artists, Lectura Books, California, 2006
Art Basel Miami Beach. Basel, Switzerland: Messe Basel, 2005
Gone Fishing (in progress), with Gonzalo Lebrija, 2005
51st Venice Biennale, Venice, Italy, 2005
Poles Apart Poles Together. Text by Juna Puntes and Doron Polak (forthcoming) 2005
Narcochic Narcochoc, Musee International des Arts Modestes, Paris, France
Prague Biennial 1, Prague, Czech Republic, 2003



United States Consulate, May 2009, Guadalajara
Salon Aleman, Museum of Natural History, April 2009, Mexico City
Election Night at Salon Aleman, New Museum of Contemporary Art, New York, November 4, 2008
Salon Aleman, for the 21c Museum?s 3rd Annual Pajama Party, June 2008, Louisville, KY.
Park Avenue Armory, 2008 Whitney Biennial, Whitney Museum of American Art, New York
Salon Aleman, organized by Eduardo Sarabia in collaboration with unitednationsplaza, Berlin, Germany, 2006-2007
Yard Magazine, First Edition, 2005